Tuesday, May 3, 2016

THE SACK SUIT

The Sack Suit

Titanic Suit day wear
Edwardian Mens Day Suits
For starters, Men wore Sack suits. These were long, plain, loose fitting suit jackets with wide lapels and a one to three button closure. Modern suits are similar but usually shorter in length and fitted. Sacks suits were usually 30-32 inches long  and either single or double breasted. Color choices were dark navy, grey, green and occasionally brown. Fabrics were all wool with hints of striping, checks and plaid. The jacket could hang with straight opening edges or rounded. The overall look was a box shape jacket with pants with roomy hips and legs that hung straight down to the ankles,  tapered slightly and were cuffed at the bottom (a drastic change from pre- 1900’s very narrow, tapered legs.) A typical ankle opening was 16 inches. See more pictures of clothing from 1918-1919. 
Edwardian men's suit fashion at vintagedancer.com
1917 Men’s Suit with Straw Gambler Hat
When choosing a suit the editors of the Men’s Togs Catalog of 1910 warn buyers “In selecting a fashion, however, careful consideration should be given to the fact that extreme novelty styles are suitable only for young men, and that double-breasted styles look best on slender forms. Corpulent men should adhere strictly to stripe effects in fabrics.”
TIP: Some modern suits can double as Edwardian. If it is long, straight, plain and comes with a matching high cut vest and pants then it’s probably ok. Order one size up for a more Edwardian sack suit “baggy look.”
A matching waistcoat or vest, with or without lapels, was worn under the suit. The vest cut was mid chest, at the lowest, to be seen under the jacket.
Under the vest was a basic day shirt. These, like modern dress shirts, were light colors of whites,  and subtle striping. Shirt fronts have a “yoke” bib style (similar to a modern formal tux shirt.) Collars could be wing tip, pointed, or round club collar. Club collars are my favorite for this time period, even though they are difficult to find in the US.
TIP: You can turn a pointed collar shirt into a club collar by cutting off the points to a rounded edge. This works better on some shirts then others. I suggest picking up a few at thrift stores and trying to cut them. To prevent the cut edges from fraying use a “Fray Stop” available at fabric and craft stores or clear nail polish if your in a hurry

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PAJAMAS

Pajamas

Pajamas were loungewear and sleepwear that consisted of pants and jacket tops. The word derived from two Hindi terms: "pa(y)," for leg, and "jamah," for garment. It entered the English language around 1880 as "pyjamas," after the British colonized India, where Hindi was spoken. Americans adopted the term from the British as "pajamas."

Image result for PIC OF PAJAMAS

Pajamas for men, women, and children became popular in the United States during the 1920s. For men, they replaced nightshirts, which were one-piece long-sleeved shirts that flowed down to or below the knees. Men's pajamas were loose fitting. The trousers had drawstrings around the waist, or were fastened by a few buttons in the front. The tops were collarless or with a relaxed collar that could remain undone or be buttoned closed. Tops had a line of buttons down the front or were held closed by overlapping the front panels across the chest and tying a sash around the waist. Men's pajamas were made of cotton, silk, or rayon, which then was called artificial silk. Men who wanted warmth against winter nights chose heavyweight cotton flannel pajamas. Although conservative dressers wore solid, drab-colored sleep outfits, many others chose pajamas in stripes and lively prints. The Smithsonian Institution in Washington, D.C., holds a rather colorful pair of pajamas worn by American president Warren G. Harding (18651923) in the early 1920s. They are turquoise silk with white leaves that are  or attached, onto the garment.
Women envied the comfort of men's pajamas and, in the liberated atmosphere that followed World War I (191418), adopted the attire to their own lifestyles. Women wore pajamas for sleeping and also for lounging about the home and the beach. Most women's pajamas were made of flowing fabrics such as silk, satin, chiffon, or rayon. They featured loose, ankle-length pants that hung straight at the bottom or were drawn tight around the ankle by a ribbon or lacing. The waistlines of the pants had drawstrings. Tops were hip-length jackets with varying sleeve lengths. A home sewing pattern sold by the Butterick Publishing Company of Massachusetts offered the seamstress a choice of necklines: rounded, squared, or with a rounded collar. Women's pajamas sometimes were quite stylized, even whimsical. For instance, on occasion they were designed in silk in an Oriental fashion that featured loose, wide sleeves like kimonos, the loose robes worn by Japanese men and women. They were printed colorfully with renderings of Japanese and Chinese objects, such as paper lanterns, geisha (female entertainer) houses, and chopsticks. Children wore pajamas primarily for sleeping. The styles were similar to adult garments.

MEDIEVAL CLOTHING AND TEXTILES

Medieval clothing and textiles


The history of Medieval European clothing and textiles has inspired a good deal of scholarly interest in the 21st century. Elisabeth Crowfoot, Frances Pritchard, and Kay Staniland authored Textiles and Clothing: Medieval Finds from Excavations in London, c.1150-c.1450 . The topic is also the subject of an annual series Medieval Clothing and Textiles  edited by Robin Netherton and Professor Gale R. Owen-Crocker of Anglo-Saxon Culture at the University of Manchester.

Byzantium

The Byzantines made and exported very richly patterned cloth, woven and embroidered for the upper classes, and resist-dyed and printed for the lower. By Justinian's time the Roman toga had been replaced by the tunica, or long chiton, for both sexes, over which the upper classes wore various other garments, like a dalmatica , a heavier and shorter type of tunica; short and long cloaks were fastened on the right shoulder.
Leggings and hose were often worn, but are not prominent in depictions of the wealthy; they were associated with barbarians, whether European or Persian.

Early medieval Europe



European dress changed gradually in the years 400 to 1100. People in many countries dressed differently depending on whether they identified with the old Romanised population, or the new invading populations such as Franks, Anglo-Saxons, and Visigoths. Men of the invading peoples generally wore short tunics, with belts, and visible trousers, hose or leggings. The Romanised populations, and the Church, remained faithful to the longer tunics of Roman formal costume.
The elite imported silk cloth from the Byzantine, and later Muslim, worlds, and also probably cotton. They also could afford bleached linen and dyed and simply patterned wool woven in Europe itself. But embroidered decoration was probably very widespread, though not usually detectable in art. Lower classes wore local or homespun wool, often undyed, trimmed with bands of decoration, variously embroidery, tablet-woven bands, or colorful borders woven into the fabric in the loom.

High middle ages and the rise of fashion


Clothing in 12th and 13th century Europe remained very simple for both men and women, and quite uniform across the subcontinent. The traditional combination of short tunic with hose for working-class men and long tunic with over gown for women and upper class men remained the norm. Most clothing, especially outside the wealthier classes, remained little changed from three or four centuries earlier.
The 13th century saw great progress in the dyeing and working of wool, which was by far the most important material for outerwear. Linen was increasingly used for clothing that was directly in contact with the skin. Unlike wool, linen could be laundered and bleached in the sun. Cotton, imported raw from Egypt and elsewhere, was used for padding and quilting, and cloths such as buckram and fustian.
Crusaders returning from the Levant brought knowledge of its fine textiles, including light silks, to Western Europe. In Northern Europe, silk was an imported and very expensive luxury The well-off could afford woven brocades from Italy or even further afield. Fashionable Italian silks of this period featured repeating patterns of roundels and animals, deriving from Ottoman silk-weaving centres in Bursa, and ultimately from Yuan Dynasty China via the Silk Road.
Cultural and costume historians agree that the mid-14th century marks the emergence of recognizable "fashion" in Europe.] From this century on wards Western fashion changed at a pace quite unknown to other civilizations, whether ancient or contemporary. In most other cultures only major political changes, such as the Muslim conquest of India, produced radical changes in clothing, and in China, Japan, and the  fashion change d only slightly over periods of several centuries.
In this period the draped garments and straight seams of previous centuries were replaced by curved seams and the beginnings of tailoring, which allowed clothing to more closely fit the human form, as did the use of lacing and buttons.A fashion for mi-garments made of two contrasting fabrics, one on each side, arose for men in mid-century,[41] and was especially popular at the English court. Sometimes just the hose would be different colours on each leg.

ANCIAENT TEXTILES AND CLOTHING

Ancient textiles and clothing


The first actual textile, as opposed to skins sewn together, was probably felt. Surviving examples of Nålebinding, another early textile method, date from 6500 BC. Our knowledge of ancient textiles and clothing has expanded in the recent past thanks to modern technological developments.Our knowledge of cultures varies greatly with the climatic conditions to which archaeological deposits are exposed; the Middle East and the arid fringes of China have provided many very early samples in good condition, but the early development of textiles in the Indian subcontinent, sub-Saharan Africa and other moist parts of the world remains unclear. In northern Eurasia peat bogs can also preserve textiles very well.
Early woven clothing was often made of full loom widths draped, tied, or pinned in place.

Ancient Near East

The earliest known woven textiles of the Near East may be fabrics used to wrap the dead, excavated at a Neolithic site at Çatalhöyük in Anatolia, carbonized in a fire and radiocarbon dated to c. 6000 BC. Evidence exists of flax cultivation from c. 8000 BC in the Near East, but the breeding of sheep with a wooly fleece rather than hair occurs much later, c. 3000 BC.

Ancient India

The inhabitants of the Indus Valley Civilization used cotton for clothing as early as the 5th millennium BC – 4th millennium BC.

Ancient Egypt

Queen Nefertari in a sheer, pleated linen garment, Egypt, c. 1298–1235 BC
Evidence exists for production of linen cloth in Ancient Egypt in the Neolithic period, c. 5500 BC. Cultivation of domesticated wild flax, probably an import from the Levant, is documented as early as c. 6000 BC Other bast fibers including rushreed, palm, and papyrus were used alone or with linen to make rope and other textiles. Evidence for wool production in Egypt is scanty at this period.
Spinning techniques included the drop spindle, hand-to-hand spinning, and rolling on the thigh; yarn was also spliced. A horizontal ground loom was used prior to the New Kingdom, when a vertical two-beam loom was introduced, probably from Asia.
Linen bandages were used in the burial custom of mummification, and art depicts Egyptian men wearing linen kilts and women in narrow dresses with various forms of shirts and jackets, often of sheer pleated fabric.

Ancient China


The earliest evidence of silk production in China was found at the sites of Yangshao culture in Xia, Shanxi, where a cocoon of bombyx mori, the domesticated silkworm, cut in half by a sharp knife is dated to between 5000 and 3000 BC. Fragments of primitive looms are also seen from the sites of Hemudu culture in Yuyao, Zhejiang, dated to about 4000 BC. Scraps of silk were found in a Liangzhu culture site at Qianshanyang in Huzhou, Zhejiang, dating back to 2700 BC. Other fragments have been recovered from royal tombs in the Shang Dynasty (c. 1600 – c. 1046 BC).[18]
Under the Shang Dynasty, Han Chinese clothing or Hanfu consisted of a a narrow-cuffed, knee-length tunic tied with a sash, and a narrow, ankle-length skirt, called shang, worn with a bixi, a length of fabric that reached the knees. Clothing of the elite was made of silk in vivid primary colours.

Ancient Thailand

The earliest evidence of spinning in Thailand can be found at the archaeological site of Tha Kae located in Central Thailand. Tha Kae was inhabited during the end of the first millennium BC to the late first millennium AD. Here, archaeologists discovered 90 fragments of spindle whorl dated from 3rd century BC to 3rd century AD. And the shape of these finds indicate the connections with south China and India.[19] A spindle whorl is a disc or spherical object that fits onto the spindle to increase as well as maintain the speed of spinning.

Ancient Japan

The earliest evidence of weaving in Japan is associated with the Jōmon period. This culture is defined by pottery decorated with cord patterns. In a shell mound in the Miyagi Prefecture, dating back about 5,500, some cloth fragments were discovered made from bark fibers.[20] Hemp fibers were also discovered in the Torihama shell midden, Fukui Prefecture, dating back to the Jōmon period, suggesting that these plants could also have been used for clothing. Some pottery pattern imprints depict also fine mat designs, proving their weaving techniques. The patterns on the Jōmon pottery show people wearing short upper garments, close-fitting trousers, funnel-sleeves, and rope-like belts. The depictions also show clothing with patterns that are embroidered or painted arched designs, though it is not apparent whether this indicates what the clothes look like or whether that simply happens to be the style of representation used. It is interesting to note that the pottery also shows no distinction between male and female garments. This may have been true because during that time period clothing was more for decoration than social distinction, but it might also just be because of the representation on the pottery rather than how people actually dressed at the time. Since bone needles were also found, it is assumed that they wore dresses that were sewn together.[21]
Next was the Yayoi period, during which rice cultivation was developed. This led to a shift from hunter-gatherer communities to agrarian societies which had a large impact on clothing. According to Chinese literature from that time period, clothing more appropriate to agriculture began to be worn. For example, unsewn fabric wrapper around the body and poncho-type garments with head-holes cut into them. This same literature also indicates that pink or scarlet makeup was worn but also that mannerisms between people of all ages and genders were not very different. However, this is debatable as there were probably cultural prejudices in the Chinese document. There is a common Japanese belief that the Yayoi time period was quite utopian before Chinese influence began to promote the use of clothing to indicate age and gender.
From 300 to 550 AD was the Yamato period, and here much of the clothing style can be derived from the artifacts of the time. The tomb statues (haniwa) especially tell us that the clothing style changed from the ones according to the Chinese accounts from the previous age. The statues are usually wearing a two piece outfit that has an upper piece with a front opening and close-cut sleeves with loose trousers for men and a pleated skirt for women. Silk farming had been introduced by the Chinese by this time period but due to silk’s cost it would only be used by people of certain classes or ranks.
The following periods were the Asuka (550 to 646 AD) and Nara (646 to 794 AD) when Japan developed a more unified government and began to use Chinese laws and social rankings. These new laws required people to wear different styles and colors to indicate social status. Clothing became longer and wider in general and sewing methods were more advanced.[22]

Classical Period- Philippines[edit]

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The classical Filipino clothing varied according to cost and current fashions and so indicated social standing. The basic garments were the Bahag and the tube skirt—what the Maranao call malong—or a light blanket wrapped around instead. But more prestigious clothes, lihin-lihin, were added for public appearances and especially on formal occasions—blouses and tunics, loose smocks with sleeves, capes, or ankle-length robes. The textiles of which they were made were similarly varied. In ascending order of value, they were abaca, abaca decorated with coloredcotton threadcotton, cotton decorated with silk thread, silk, imported printstuff, and an elegant abaca woven of selected fibers almost as thin as silk. In addition, Pigafetta mentioned both G-strings and skirts of bark cloth.
Untailored clothes, however had no particular names. Pandong, a lady's cloak, simply meant any natural covering, like the growth on banana trunk’s or a natal caul. In Panay, the word kurong, meaning curly hair, was applied to any short skirt or blouse; and some better ones made of imported chintz or calico were simply called by the name of the cloth itself, tabas. So, too, the wraparound skirt the Tagalogs called tapis was hardly considered a skirt at all: Visayans just called it habul (woven stuff) or halong (abaca) or even hulun (sash).
The usual male headdress was the pudong, a turban, though in Panay both men and women also wore a head cloth or bandana called saplung. Commoners wore pudong of rough abaca cloth wrapped around only a few turns so that it was more of a headband than a turban and was therefore called pudong-pudong—as thecrowns and diadems on Christian images were later called. A red pudong was called magalong, and was the insignia of braves who had killed an enemy. The most prestigious kind of pudong, limited to the most valiant, was, like their G-strings, made of pinayusan, a gauze-thin abaca of fibers selected for their whiteness, tie-dyed a deep scarlet in patterns as 

Ancient textiles and clothing

The first actual textile, as opposed to skins sewn together, was probably felt. Surviving examples of Nålebinding, another early textile method, date from 6500 BC. Our knowledge of ancient textiles and clothing has expanded in the recent past thanks to modern technological developments.[12] Our knowledge of cultures varies greatly with the climatic conditions to which archeological deposits are exposed; the Middle East and the arid fringes of China have provided many very early samples in good condition, but the early development of textiles in the Indian subcontinentsub-Saharan Africa and other moist parts of the world remains unclear. In northern Eurasia peat bogs can also preserve textiles very well.
Early woven clothing was often made of full loom widths draped, tied, or pinned in place.

Ancient Near East

The earliest known woven textiles of the Near East may be fabrics used to wrap the dead, excavated at a Neolithic site a tÇatalhöyük in Anatolia, carbonized in a fire and radiocarbon dated to c. 6000 BC.[13] Evidence exists of flax cultivation from c. 8000 BC in the Near East, but the breeding of sheep with a wooly fleece rather than hair occurs much later, c. 3000 BC.[13]

Ancient India[edit]

The inhabitants of the Indus Valley Civilization used cotton for clothing as early as the 5th millennium BC – 4th millennium BC.[14]

Ancient Egypt


Queen Nefertari in a sheer, pleated linen garment, Egypt, c. 1298–1235 BC

Evidence exists for production of linen cloth in Ancient Egypt in the Neolithic period, c. 5500 BC. Cultivation of domesticated wild flax, probably an import from the Levant, is documented as early as c. 6000 BC Other bast fibers including rushreedpalm, and papyrus were used alone or with linen to make rope and other textiles. Evidence for wool production in Egypt is scanty at this period.[15]
Spinning techniques included the drop spindle, hand-to-hand spinning, and rolling on the thigh; yarn was also spliced.[15] A horizontal ground loom was used prior to the New Kingdom, when a vertical two-beam loom was introduced, probably from Asia.
Linen bandages were used in the burial custom of mummification, and art depicts Egyptian men wearing linen kilts and women in narrow dresses with various forms of shirts and jackets, often of sheer pleated fabric.[15]

Ancient China


The earliest evidence of silk production in China was found at the sites of Yangshao culture in Xia, Shanxi, where a cocoon of bombyx mori, the domesticated silkworm, cut in half by a sharp knife is dated to between 5000 and 3000 BC. Fragments of primitive looms are also seen from the sites of Hemudu culture in Yuyao, Zhejiang, dated to about 4000 BC. Scraps of silk were found in a Liangzhu culture site at Qianshanyang in Huzhou, Zhejiang, dating back to 2700 BC.[16][17] Other fragments have been recovered from royal tombs in the Shang Dynasty (c. 1600 – c. 1046 BC).[18]
Under the Shang Dynasty, Han Chinese clothing or Hanfu consisted of a yi, a narrow-cuffed, knee-length tunic tied with a sash, and a narrow, ankle-length skirt, calledshang, worn with a bixi, a length of fabric that reached the knees. Clothing of the elite was made of silk in vivid primary colours.

Ancient Thailand

The earliest evidence of spinning in Thailand can be found at the archaeological site of Tha Kae located in Central Thailand. Tha Kae was inhabited during the end of the first millennium BC to the late first millennium AD. Here, archaeologists discovered 90 fragments of spindle whorl dated from 3rd century BC to 3rd century AD. And the shape of these finds indicate the connections with south China and India.[19] A spindle whorl is a disc or spherical object that fits onto the spindle to increase as well as maintain the speed of spinning.

Ancient Japan

The earliest evidence of weaving in Japan is associated with the Jōmon period. This culture is defined by pottery decorated with cord patterns. In a shell mound in the Miyagi Prefecture, dating back about 5,500, some cloth fragments were discovered made from bark fibers.[20] Hemp fibers were also discovered in the Torihama shell midden, Fukui Prefecture, dating back to the Jōmon period, suggesting that these plants could also have been used for clothing. Some pottery pattern imprints depict also fine mat designs, proving their weaving techniques. The patterns on the Jōmon pottery show people wearing short upper garments, close-fitting trousers, funnel-sleeves, and rope-like belts. The depictions also show clothing with patterns that are embroidered or painted arched designs, though it is not apparent whether this indicates what the clothes look like or whether that simply happens to be the style of representation used. It is interesting to note that the pottery also shows no distinction between male and female garments. This may have been true because during that time period clothing was more for decoration than social distinction, but it might also just be because of the representation on the pottery rather than how people actually dressed at the time. Since bone needles were also found, it is assumed that they wore dresses that were sewn together.[21]
Next was the Yayoi period, during which rice cultivation was developed. This led to a shift from hunter-gatherer communities to agrarian societies which had a large impact on clothing. According to Chinese literature from that time period, clothing more appropriate to agriculture began to be worn. For example, unsewn fabric wrapper around the body and poncho-type garments with head-holes cut into them. This same literature also indicates that pink or scarlet makeup was worn but also that mannerisms between people of all ages and genders were not very different. However, this is debatable as there were probably cultural prejudices in the Chinese document. There is a common Japanese belief that the Yayoi time period was quite utopian before Chinese influence began to promote the use of clothing to indicate age and gender.
From 300 to 550 AD was the Yamato period, and here much of the clothing style can be derived from the artifacts of the time. The tomb statues (haniwa) especially tell us that the clothing style changed from the ones according to the Chinese accounts from the previous age. The statues are usually wearing a two piece outfit that has an upper piece with a front opening and close-cut sleeves with loose trousers for men and a pleated skirt for women. Silk farming had been introduced by the Chinese by this time period but due to silk’s cost it would only be used by people of certain classes or ranks.
The following periods were the Asuka (550 to 646 AD) and Nara (646 to 794 AD) when Japan developed a more unified government and began to use Chinese laws and social rankings. These new laws required people to wear different styles and colors to indicate social status. Clothing became longer and wider in general and sewing methods were more advanced.[22]

Classical Period- Philippines

The Boxer Codex, showing the attire of a Classical period Filipino, made ofsilk and cotton.
The classical Filipino clothing varied according to cost and current fashions and so indicated social standing. The basic garments were the Bahag and the tube skirt—what the Maranao call malong—or a light blanket wrapped around instead. But more prestigious clothes, lihin-lihin, were added for public appearances and especially on formal occasions—blouses and tunics, loose smocks with sleeves, capes, or ankle-length robes. The textiles of which they were made were similarly varied. In ascending order of value, they were abaca, abaca decorated with coloredcotton threadcotton, cotton decorated with silk thread, silk, imported printstuff, and an elegant abaca woven of selected fibers almost as thin as silk. In addition, Pigafetta mentioned both G-strings and skirts of bark cloth.
Untailored clothes, however had no particular names. Pandong, a lady's cloak, simply meant any natural covering, like the growth on banana trunk’s or a natal caul. In Panay, the word kurong, meaning curly hair, was applied to any short skirt or blouse; and some better ones made of imported chintz or calico were simply called by the name of the cloth itself, tabas. So, too, the wraparound skirt the Tagalogs called tapis was hardly considered a skirt at all: Visayans just called it habul (woven stuff) or halong (abaca) or even hulun (sash).
The usual male headdress was the pudong, a turban, though in Panay both men and women also wore a head cloth or bandana called saplung. Commoners wore pudong of rough abaca cloth wrapped around only a few turns so that it was more of a headband than a turban and was therefore called pudong-pudong—as thecrowns and diadems on Christian images were later called. A red pudong was called magalong, and was the insignia of braves who had killed an enemy. The most prestigious kind of pudong, limited to the most valiant, was, like their G-strings, made of pinayusan, a gauze-thin abaca of fibers selected for their whiteness, tie-dyed a deep scarlet in patterns as fine as embroidery, and burnished to a silky sheen. Such pudong were lengthened with each additional feat of valor: real heroes therefore let one end hang loose with affected carelessness. Women generally wore a kerchief, called tubatub if it was pulled tight over the whole head; but they also had a broad-brimmed hat called sayap or tarindak, woven of sago-palm leaves. Some were evidently signs of rank: when Humabon’s queen went to hear mass during Magellan’s visit, she was preceded by three girls carrying one of her hats. A headdress from Cebu with a deep crown, used by both sexes for travel on foot or by boat, was called sarok, which actually meant to go for water.[23]

The textile trade in the ancient world


The exchange of luxury textiles was predominant on the Silk Road, a series of ancient trade and cultural transmission routes that were central to cultural interaction through regions of the Asian continent connecting East and West by linking traders, merchants, pilgrimsmonks, soldiers, nomads and urban dwellers from China to the Mediterranean Sea during various periods of time. The trade route was initiated around 114 BC by the Han Dynasty,[24] although earlier trade across the continents had already existed. Geographically, the Silk Road or Silk Route is an interconnected series of ancient trade routes between Chang'an (today's Xi'an) in China, with Asia Minor and the Mediterranean extending over 8,000 km (5,000 mi) on land and sea. Trade on the Silk Road was a significant factor in the development of the great civilizations of China, Egypt, MesopotamiaPersia, the Indian subcontinent, and Rome, and helped to lay the foundations for the modern world.

Classical antiquity


Greek chiton (left) and chiton worn under himation
Dress in classical antiquity favored wide, unsewn lengths of fabric, pinned and draped to the body in various ways.
Ancient Greek clothing consisted of lengths of wool or linen, generally rectangular and secured at the shoulders with ornamented pins called fibulae and belted with a sash. Typical garments were the peplos, a loose robe worn by women; the chlamys, a cloak worn by men; and the chiton, a tunic worn by both men and women. Men’s chitons hung to the knees, whereas women’s chitons fell to their ankles. A long cloak called a himation was worn over the peplos or chlamys.
The toga of ancient Rome was also an unsewn length of wool cloth, worn by male citizens draped around the body in various fashions, over a simple tunic. Early tunics were two simple rectangles joined at the shoulders and sides; later tunics had sewn sleeves. Women wore the draped stolaor an ankle-length tunic, with a shawl-like palla as an outer garment. Wool was the preferred fabric, although linen, hemp, and small amounts of expensive imported silk and cotton were also worn.

Iron age Europe

The Iron Age is broadly identified as stretching from the end of the Bronze Age around 1200 BC to 500 AD and the beginning of the Medieval period. Bodies and clothing have been found from this period, preserved by the anaerobic and acidic conditions of peat bogs in northwestern Europe. A Danish recreation of clothing found with such bodies indicates woven wool dresses, tunics and skirts.[25] These were largely unshaped and held in place with leather belts and metal brooches or pins. Garments were not always plain, but incorporated decoration with contrasting colours, particularly at the ends and edges of the garment. Men wore breeches, possibly with lower legs wrapped for protection, although Boucher states that long trousers have also been found.[26] Warmth came from woollen shawls and capes of animal skin, probably worn with the fur facing inwards for added comfort. Caps were worn, also made from skins, and there was an emphasis on hair arrangements, from braids to elaborate Suebian knots.] Soft laced shoes made from leather protected the foot.fine as embroidery, and burnished to a silky sheen. Such pudong were lengthened with each additional feat of valor: real heroes therefore let one end hang loose with affected carelessness. Women generally wore a kerchief, called tubatub if it was pulled tight over the whole head; but they also had a broad-brimmed hat called sayap or tarindak, woven of sago-palm leaves. Some were evidently signs of rank: when Humabon’s queen went to hear mass during Magellan’s visit, she was preceded by three girls carrying one of her hats. A headdress from Cebu with a deep crown, used by both sexes for travel on foot or by boat, was called sarok, which actually meant to go for water.[23]

The textile trade in the ancient world


The exchange of luxury textiles was predominant on the Silk Road, a series of ancient trade and cultural transmission routes that were central to cultural interaction through regions of the Asian continent connecting East and West by linking traders, merchants, pilgrims, monks, soldiers, nomads and urban dwellers from China to the Mediterranean Sea during various periods of time. The trade route was initiated around 114 BC by the Han Dynasty,although earlier trade across the continents had already existed. Geographically, the Silk Road or Silk Route is an interconnected series of ancient trade routes between Chang'an  in China, with Asia Minor and the Mediterranean extending over 8,000 km (5,000 mi) on land and sea. Trade on the Silk Road was a significant factor in the development of the great civilizations of China, Egypt, Mesopotamia, Persia, the Indian subcontinent, and Rome, and helped to lay the foundations for the modern world.

Classical antiquity


Greek chiton (left) and chiton worn under himation
Dress in classical antiquity favored wide, unsewn lengths of fabric, pinned and draped to the body in various ways.
Ancient Greek clothing consisted of lengths of wool or linen, generally rectangular and secured at the shoulders with ornamented pins called fibulae and belted with a sash. Typical garments were the peplos, a loose robe worn by women; the chlamys, a cloak worn by men; and the chiton, a tunic worn by both men and women. Men’s chitons hung to the knees, whereas women’s chitons fell to their ankles. A long cloak called was worn over the peplos or chlamys.
The toga of ancient Rome was also an unsewn length of wool cloth, worn by male citizens draped around the body in various fashions, over a simple tunic. Early tunics were two simple rectangles joined at the shoulders and sides; later tunics had sewn sleeves. Women wore the draped stola an ankle-length tunic, with a shawl-like palla as an outer garment. Wool was the preferred fabric, although linen, hemp, and small amounts of expensive imported silk and cotton were also worn.

Iron age Europe

The Iron Age is broadly identified as stretching from the end of the Bronze Age around 1200 BC to 500 AD and the beginning of the Medieval period. Bodies and clothing have been found from this period, preserved by the anaerobic and acidic conditions of peat bogs in northwestern Europe. A Danish recreation of clothing found with such bodies indicates woven wool dresses, tunics and skirts.These were largely unshaped and held in place with leather belts and metal brooches or pins. Garments were not always plain, but incorporated decoration with contrasting colours, particularly at the ends and edges of the garment. Men wore breeches, possibly with lower legs wrapped for protection, although Boucher states that long trousers have also been found.[26] Warmth came from woollen shawls and capes of animal skin, probably worn with the fur facing inwards for added comfort. Caps were worn, also made from skins, and there was an emphasis on hair arrangements, from braids to elaborate Suebian knots.[27] Soft laced shoes made from leather protected the foot.